Eurovision Used to Be a Campy Joy – However It Has Evolved Into a Calculated Tool to Whitewash War.

An new initialism came to light a couple of months following the onset of the military campaign against Gaza. Labeled WCNSF, it means “Child casualty without any family left”. This term is unique to Gaza, per insights from medical experts such as child health specialists. Typically, it is rare for doctors to attend to a child who has been bereaved of their complete family. Yet, there has been nothing “normal” about the widespread destruction in Gaza, where entire family lineages have been eradicated and the number of young amputees exceeds that of anywhere else in the world. Nothing ordinary in numerous doctors coming back from a sea of ruins with reports of children being deliberately targeted.

A Hell on Earth Despite a Announced Cessation of Hostilities

The Gaza Strip continues to be hell on earth. Critical healthcare resources are not getting in those in need, and international watchdogs assert that genocidal acts are ongoing. Authorities has denied these allegations, just as it disavows everything it is implicated in. But while young survivors are now freezing in improvised encampments, there is a piece of uplifting information: apparently nothing is going to stop the Eurovision from continuing with its professed goal of “togetherness and cultural exchange.” The contest will continue to extend a prestigious stage for Israel, even though at least four European countries have now withdrawn in objection. Since this, it seems, is what global togetherness looks like.

Eurovision, of course excluded Russia from taking part in 2022 over the “unprecedented crisis in Ukraine”. Yet the conflict in Gaza seems completely different.

Contradictory Principles

Forget the fact that Israel was criticized for irregular participation methods last year in what appears to have been an bid to manipulate Eurovision. Forget the fact that a toddler was reportedly killed in Gaza just days ago. Pay no mind to the evidence that aggression from Israeli settlers and forced displacement in the West Bank have escalated. Disregard the condition that foreign reporters are still denied independent reporting in Gaza. None of this, evidently, should be seen as a barrier of Eurovision’s self-proclaimed spirit of unity.

The Show Goes On Against a Backdrop of Staggering Tragedy

Eurovision reaches its seventieth anniversary next year – roughly two times the average life expectancy of someone in Gaza now. The show may go on, but it will never be able to restore the whimsical pleasure it was formerly known for. A contest that was originally built on peace has now become a cynical way to whitewash war.

Victor Campbell
Victor Campbell

A seasoned UX strategist with over a decade of experience in crafting user-centered digital solutions and mentoring design teams.