‘I truly required a break after that!’ The most gripping episodes of TV of all time

Spooks – I Spy Apocalypse (2003)

The episode begins with the MI5 agents confined as part of a simulation concerning a fictional terrorist event, supervised by two Home Office agents. As events unfold, it seems an actual attack has occurred and a chemical agent deployed. The suspense builds as messages indicate a crisis unfolding beyond their walls, and gets worse as the superior shows signs of exposure, and the two Home Office officials attempt to leave, forcing Matthew Macfadyen’s character to opt for either shooting them or permitting their exit and risking contaminating the sealed MI5 offices. Given it’s Spooks, it is unsurprising which one he chooses.

The 1984 production Threads

Threads had minimal funding but arguably the most terrifying series I’ve ever seen owing to its grim authenticity and bleak government data. Watched it about a month ago having watched the original; I frequently went to the Sheffield pub shown in the series that highlighted the truth and the glib matter-of-fact official information which was broadcast. Remaining completely frightening decades on.

Severance – The We We Are from 2022

The concluding episode of Severance’s debut season deserves a top spot among intense episodes. I remained for the whole show quite literally on the edge of my seat, straining every sinew with Dylan to hold the switches that allowed the Innies to remain active, while yelling at the Innies to disclose their facts. The ultimate peak – “she is living!” – resembled a outburst.

The 2024 Industry episode White Mischief

Episode five of the third series of Industry caused my heart to pound. I needed to stop and stand and depart the area multiple times because of the sheer scale of the reckless self-harm I saw. Rishi Ramdani is in deep shit at work and home – up to his eyeballs in debt to loan sharks because of his compulsive gambling, taking such risks on a wager involving sterling that might cost his firm millions. So of course, he goes on a gambling spree, consumes excessive substances and alcohol and alternates between success and failure, is brutally attacked. Every time you think things cannot decline more, it worsens. There is a chance for salvation as the installment closes but he misses the opening, leading to terrible outcomes in the concluding part of the season. Absolutely had to relax following that!

Peep Show – Holiday (2007)

Peep Show is not inherently a tense series. However, the Holiday episode features such degrees of awkwardness that it will make you rise throughout the entire episode, permeated with worry. The tension escalates when Jeremy and Mark realize having to lie about the dog they accidentally run over and subsequent attempts to dispose of it. You then spend the rest of the episode doubting if it can actually be more terrible than burning, and it turns out to be!

The 2001 The West Wing episode The Two Cathedrals

Nothing I have seen has been as tense as when I first saw the concluding episode of The West Wing’s second season. The show opens with the fallout of the passing (in a road incident) of the president’s personal secretary and builds to a peak involving a Haitian emergency, and the repercussions of the secrecy regarding the president’s multiple sclerosis diagnosis, with confirmation of his intention to pursue re-election. Excellent TV. Unequaled.

The 2018 Bodyguard premiere episode

The start of the British program Bodyguard, featuring the main character on a train with his young son, is personally a top tense installment. He notices a Muslim female going into the loo and senses something is wrong. The bomb diffuser experts are called, enter the train, and try to persuade the woman to discard her bomb jacket. Suspense rises to a practically unendurable point, until yes, the vest is diffused.

Buffy the Vampire Slayer – The Body from 2001

Buffy comes into her home to discover her mother has died due to natural factors, which is the most unusual type of death in this paranormal series. The episode has no background music, a gloomy atmosphere, and we witness the episode via the perspective of Buffy’s astonishment upon finding her mother.

The Sopranos – Made in America from 2007

The ultimate sequence of the series finale of the program was incredibly anxious. And for those who saw it during its initial broadcast, you – initially – were uncertain of the reason. Tony’s enemies, real and imagined, had all been defeated. Surely this has the feel of the season one ending? “Recall the minor details.” Yet the atmosphere is strangely foreboding. Approaching Twin Peaks-esque horror. The family gathers in a diner. Meadow parks. Tony sorrowfully notifies Carmela problems are brewing with yet another of his crew cooperating with the officials. Meadow parks the vehicle. Unfamiliar individuals come into the diner. Look at Tony(?) Meadow is parking. Tony selects a song on the jukebox. Meadow parks. The bell rings, someone enters the restaurant. Can’t be Meadow, she’s still parking. Tony looks up. Continue. It halts. My heart dropped from my mouth roughly 20 minutes after.

The Walking Dead – The Last Day on Earth (2016)

I stayed up to watch this episode in the early morning. It was so intense after the buildup of bad guy Negan discovering the characters, cruelly taunting his victims and then keeping the death a mystery (finished with an unresolved situation). The victim’s POV shot and the muted audio – ugh! {We then had to wait for season seven|We then needed to await season

Victor Campbell
Victor Campbell

A seasoned UX strategist with over a decade of experience in crafting user-centered digital solutions and mentoring design teams.